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Multiple Sub-Nyquist Sampling Encoding

MUSE (Multiple sub-Nyquist Sampling Encoding), commercially known as Hi-Vision (a contraction of HIgh-definition teleVISION) was a Japanese analog high-definition television system, with design efforts going back to 1979. Traditional interlaced video shows either odd or even lines of video at any one time, but MUSE required four fields of video to complete a single video frame. Hi-Vision also refers to a closely related Japanese television system capable of transmitting video with 1035i resolution, in other words 1035 interlaced lines. MUSE was used as a compression scheme for Hi-Vision signals.

C for chroma like NTSC and PAL) and uses a phase alternating by line with half-line offset carrier encoding of the wideband/narrowband chroma components. Only the very lowest part of the wideband chroma component overlapped the high-frequency chroma. The narrowband chroma was completely separated from luminance.PAF, or phase alternating by field (like the first NTSC color system trial) was also experimented with, and it gave much better decoding results, but NHK abandoned all composite encoding systems. Because of the use of satellite transmission, Frequency modulation (FM) should be used with power-limitation problem. FM incurs triangular noise, so if a sub-carrierred composite signal is used with FM, demodulated chroma signal has more noise than luminance. Because of this, they looked at other options, and decided to use

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